2019 ART TAIPEI
17 Oct 2019-21 Oct 2019
Information

​地點: 台北世界貿易中心 展覽一館
展位:N07
霍剛 x 李光裕

公共藝術:PA2
李光裕 -伏心

SVIP:
10.17|12pm-3pm

VIP :
10.17|3pm-9pm
10.18|11am-2pm

Date :
10.18|2pm-7pm
10.19|11am-7pm
10.20|11am-7pm
10.21|11am-6pm

Overview

采泥藝術很榮幸於「2019台北藝術博覽會」以雙個展的形式,展出台灣知名藝術家霍剛與李光裕的最新創作。李光裕為台灣當代雕塑的代表藝術家,霍剛則以華人幾何抽象藝術先鋒尤為著名。兩位近年來皆活躍於國內外藝壇,李光裕更於2017年受邀到聖馬利諾國家館,於第57屆威尼斯雙年展舉辦「有無之際-李光裕大型個展」,2018年李光裕回到故鄉高雄,於高雄市立美術館舉辦「空間.詩.人:李光裕創作研究展」。霍剛則在2018年受邀於米蘭蒙札皇宮美術館舉辦個人大型回顧展「形色之外」。本次特於台北藝博以雙個展呈現兩位知名藝術家的作品,希冀完整呈現其最新的創作風格與內涵。

本次展出李光裕最新創作「貓系列」,其乃是李光裕將「鏤空造形」與「片狀結構」的創作表現進行更為完善的實踐,創作手法更貼近「立體主義(Cubism)」的表現形式:將物體進行破壞與分解,以解構再建構的方式,消解傳統雕塑的量感。貓的形體被簡化僅剩骨架,以片狀的線條與鏤空造形作為結構,搭配線條轉折、頓挫等表現性形塑貓隻各種型態的動作、表情與姿態,無論是臥姿、走路、站姿,李光裕以簡單的線或面表現立體空間的寫意技法來呈現,簡約精準賦予貓隻體態更鮮活的描繪,雕塑空間也在虛實轉化,在線條、空間交替中,賦予造形更多留白的想像,呈現李光裕更趨成熟、運用自如的造型雕塑實力。

另外,本次亦展出的霍剛新油畫創作。不同於早期作品所持有深沈的神秘色彩與形象,近年來,霍剛的作品色彩表現更趨明快,善用對比來營造和諧且統一的視感。他多以簡單線條與幾何符號形塑畫面的豐富構成,或是動態回旋,或是透視景深,在平面視覺上開創立體空間的多重表現。創作手法也較早期作品更為自在揮灑,用色奔放自由,造形紛呈輕快,畫面構圖更趨簡約純粹,緊湊中更見靈活。在華人幾何抽象藝術的發展史上,霍剛可謂先驅代表,並始終堅持幾何抽象藝術的開創,透過線條、幾何與色塊的元素實驗著繪畫本質的種種可能性,真正開創屬於霍剛獨樹一格的東方幾何抽象美學。

采泥藝術很榮幸於本屆台北藝博引薦李光裕與霍剛最新作品,其以臻於成熟、圓融且大器的藝術表現活躍於藝壇,這次展出的新作揉和更深厚精煉的創作功力呈現在觀眾眼前,體現藝術家孜孜矻矻致力於創作的執著與毅力,也以持續不斷的創新引領著華人當代藝術的未來。采泥藝術希冀透過本展的呈現,讓國內外的藝術愛好者得以瞭解台灣在雕塑以及抽象藝術的表現上,卓越精湛的創作實力,透過台北藝博的平台再次向國際發聲,作為台灣軟實力的最好證成。

Artist

霍剛 (1932-)

HO Kan

Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.
Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.

李光裕(1954-)

LEE Kuang-Yu

Lee employs signature techniques such as “piercing” to break open the closed structure of traditional sculpture, creating a distinctive formal and conceptual language of emptiness. His works embody an “Eastern void” where self and object dissolve, offering not only profound aesthetic value but also a contemplative reflection on the human condition, imbued with contemporary social relevance.
Lee employs signature techniques such as “piercing” to break open the closed structure of traditional sculpture, creating a distinctive formal and conceptual language of emptiness. His works embody an “Eastern void” where self and object dissolve, offering not only profound aesthetic value but also a contemplative reflection on the human condition, imbued with contemporary social relevance.
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