2021 ART TAIPEI
21 Oct 2021-25 Oct 2021
Information

CHINI Gallery|2021 ART TAIPEI 

Booth|D01
Artists|HO Kan, LEE Kuang-Yu, CHOU Ching-Hui, TENG Pu-Chun, Nick DONG, LEE Tzu-Hsun

 


VVIP PREVIEW
10.21(四)12:00 – 21:00


VIP PREVIEW
10.21(四)15:00 – 21:00
10.22(五)11:00 – 14:00


OPEN TO PUBLIC
10.22(五)14:00 
10.25(一)11:00 – 18:00

Overview

Vision for Real 預見的真實

采泥藝術將於2021台北藝博帶來霍剛、李光裕、鄧卜君、周慶輝、董承濂與李子勳的作品。「Vision」是夢見,也是預知,更是展望:如同六位藝術家的作品,每件作品都是一個全然嶄新、足以引領我們預見和辨析未來的夢幻世界──每一件作品當中獨一無二的奇境,都隱喻著經常被紛雜的外在環境所蒙蔽的真實──唯有沉靜地以心之眼觀察,才能感知領悟。


霍剛 (1932~)
為台灣知名現代藝術團體「東方畫會」的創始成員,華人幾何抽象藝術的先鋒。本次將展出其2020年的新作品,包括〈Abstract 2020-024〉於2020年甫完成的180X240CM大型創作,作品以藍色為創作基調,透過不規則的深淺造型營造畫面構成的活潑與波動,並以色塊和線條的交疊、穿透、跳耀,開創視覺空間的多重可能,亦讓畫面饒富張力與動感。


李光裕(1954~)
台灣知名雕塑家,2017年曾於威尼斯雙年展舉辦個人大型展覽。本次將展出其2020年最新創作《四季》,以大型屏風雕塑形式,表現荷花隨著季節更迭的生命樣態。特有的片狀造型手法,以流暢的線條鮮活刻畫中國文人畫的優雅抒情。也呼應李光裕去年於新加坡「濱海灣花園」(Gardens by the Bay)舉辦的個人大型戶外雕塑展「李光裕的秘密花園」。


周慶輝 (1965~)
近30 年影像生涯,從捕捉扣人心弦的新聞現場,到創造充滿戲劇張力的場景,在2015創作《人的莊園》中,周慶輝更從以往攝影家固有被認定的身份「獵人」轉變為「導演」,以「編導式攝影」進行的創作主題,透過精緻細膩且色彩飽滿的影像,結合超現實的景境氛圍,開創個人獨特的攝影語彙。作品中怪誕而令人不安的存在感有如個人風格的銘記,最是令人驚艷。2021年展開「應許之地:天使星」拍攝計畫,從呈現心智障礙兒童的生活境況出發,反映世人共通的生命議題,反思「同理心」於當代社會的重要性。


鄧卜君(1957~)
長期以水墨創作,畫中的林木山水或者是超乎現實的景觀挪移與多重視點都是他跳脫傳統水墨,自成一格的氣派。尤其他所自創的「搓點皴」成就了現代魔幻水墨語彙。這次將展出2020年新作品〈方天境流〉在奇幻迷離的視感中更超越眼界所見的山水意象,以超乎現實之境成為迷幻的當代山水意境,顛覆水墨山水從傳統以來一直背負的包袱。


董承濂(1973~)
高靈性的科技藝術家,他的藝術不單純只是2D到4D的意象到具象。而是質樸的在找尋藝術的本質上,是概念藝術的實踐者。本次展出作品〈內外宇宙〉結合了空間以及音樂,藉此展現宇宙運行的道理和奧妙。帶領觀者進入一場視覺與聽覺的藝術饗宴。令人驚嘆的複合媒材藝術作品,讓觀者在真實的體驗中思考自身、獲得療癒昇華的力量。


李子勳(1973~)
作為台灣最具代表性的裝置藝術家之一,以揉合了雕塑/繪畫/建築/劇場的綜合美學形式,將作品視為「嘗試實現想法」的載體。透過「差異性質材料」的選擇與重組,將自己對於這個世界的感受傳達給參觀者。作品〈伊甸園I 〉同時呈現超現實夢境和機械科技,營造一種非現實的想像。觀者都可以感受到李子勳在細微處的安排是極其用心的,也由於對於生命的感知與體驗傳達,讓難以言傳的意象有了更豐富的說服力。

Artist

霍剛 (1932-)

HO Kan

Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.
Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.

李光裕(1954-)

LEE Kuang-Yu

It creates the unique form, style, and concept of the “void,” and demonstrates “the concept of silent void in the Oriental culture” that embodies the state of unifying the object and the self. It not only displays aesthetic values but also reveals the artist's contemplation on the state of life at that moment, conveying contemporary social implications.
It creates the unique form, style, and concept of the “void,” and demonstrates “the concept of silent void in the Oriental culture” that embodies the state of unifying the object and the self. It not only displays aesthetic values but also reveals the artist's contemplation on the state of life at that moment, conveying contemporary social implications.

鄧卜君(1957-)

TENG Pu-Chun

Different from the elegance embodied by traditional literati painters, his work displays a sense of individual carefreeness; in particular, the unique technique of "rolled wrinkle strokes" created by himself has formed a unique vocabulary of modern magical ink painting.His fantastical and illusory representation seems to transport viewers to a surreal, magical realm of contemporary landscape beyond what is seen by the naked eyes.
Different from the elegance embodied by traditional literati painters, his work displays a sense of individual carefreeness; in particular, the unique technique of "rolled wrinkle strokes" created by himself has formed a unique vocabulary of modern magical ink painting.His fantastical and illusory representation seems to transport viewers to a surreal, magical realm of contemporary landscape beyond what is seen by the naked eyes.

許雨仁 (1951-)

HSU Yu-Jen

Hsu has broken through the existing boundaries of ink painting and is adept at using geometric patterns for the basic composition of his paintings. From old brush technique he developed a new way of expressing and thinking, with a minimalist but uninhibited and powerful visual sense expressing a domain of existence space that cannot be infringed on, implying endless life energy; with the precondition of freedom and liberation, he conveys his personal inner will, life horizon and his thoughts and reflections with regards the environment in which he exists.
Hsu has broken through the existing boundaries of ink painting and is adept at using geometric patterns for the basic composition of his paintings. From old brush technique he developed a new way of expressing and thinking, with a minimalist but uninhibited and powerful visual sense expressing a domain of existence space that cannot be infringed on, implying endless life energy; with the precondition of freedom and liberation, he conveys his personal inner will, life horizon and his thoughts and reflections with regards the environment in which he exists.

周慶輝 (1965-)

CHOU Ching-Hui

Throughout his career as a photographer that has lasted almost three decades, Chou's subject matter has shifted from captivating journalistic events to creatively theatrical scenes, and his style has changed from documentary photography to fabricated photography. In his latest project, Animal Farm, Chou changed the role of photographer as a “hunter” and turned himself into a “director,” and amazed his audience with a bizarre and unsettling sense of existence in his characteristic way.
Throughout his career as a photographer that has lasted almost three decades, Chou's subject matter has shifted from captivating journalistic events to creatively theatrical scenes, and his style has changed from documentary photography to fabricated photography. In his latest project, Animal Farm, Chou changed the role of photographer as a “hunter” and turned himself into a “director,” and amazed his audience with a bizarre and unsettling sense of existence in his characteristic way.

董承濂 (1973-)

Nick DONG

Dong is more than just a trained metalsmith; he is a multi-disciplinary conceptual artist that incorporates science theories, cutting age technologies, and humanity into his work, with the aim to spark wonder and create transcending experiences.
Dong is more than just a trained metalsmith; he is a multi-disciplinary conceptual artist that incorporates science theories, cutting age technologies, and humanity into his work, with the aim to spark wonder and create transcending experiences.
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CHINI Gallery │2021 ART TAIPEI
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