Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.

Lee employs signature techniques such as “piercing” to break open the closed structure of traditional sculpture, creating a distinctive formal and conceptual language of emptiness. His works embody an “Eastern void” where self and object dissolve, offering not only profound aesthetic value but also a contemplative reflection on the human condition, imbued with contemporary social relevance.