2025 West Bund Art & Design | Booth 2C07
13 Nov 2025-16 Nov 2025
Information

CHINI Gallery | Booth 2C07

Overview

▍Artists
霍    剛  HO Kan
李光裕  LEE Kuang-Yu
鄧卜君  TENG Pu-Chun
陳承衛  CHEN Cheng-Wei

 

▍VIP Preview
11.13 (Thu.) 1pm - 7pm
Public Hours
11.14 (Fri.) 12pm - 6pm
11.15 (Sat.) 12pm - 6pm
11.16 (Sun.) 12pm - 6pm

 

▍Venue 
Shanghai West Bund International Exhibition Center
(7, Longyao Rd., Shanghai)

Artist

霍剛 (1932-)

HO Kan

Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.
Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.

李光裕 (1954-)

LEE Kuang-Yu

Lee employs signature techniques such as “piercing” to break open the closed structure of traditional sculpture, creating a distinctive formal and conceptual language of emptiness. His works embody an “Eastern void” where self and object dissolve, offering not only profound aesthetic value but also a contemplative reflection on the human condition, imbued with contemporary social relevance.
Lee employs signature techniques such as “piercing” to break open the closed structure of traditional sculpture, creating a distinctive formal and conceptual language of emptiness. His works embody an “Eastern void” where self and object dissolve, offering not only profound aesthetic value but also a contemplative reflection on the human condition, imbued with contemporary social relevance.

鄧卜君 (1957-)

TENG Pu-Chun

Different from the elegance embodied by traditional literati painters, his work displays a sense of individual carefreeness; in particular, the unique technique of "rolled wrinkle strokes" created by himself has formed a unique vocabulary of modern magical ink painting.His fantastical and illusory representation seems to transport viewers to a surreal, magical realm of contemporary landscape beyond what is seen by the naked eyes.
Different from the elegance embodied by traditional literati painters, his work displays a sense of individual carefreeness; in particular, the unique technique of "rolled wrinkle strokes" created by himself has formed a unique vocabulary of modern magical ink painting.His fantastical and illusory representation seems to transport viewers to a surreal, magical realm of contemporary landscape beyond what is seen by the naked eyes.

陳承衛 (1984-)

CHEN Cheng-Wei

Chen is one of the leading contemporary figurative realist artists in China. In recent years, his Blossoms of Life series marks a shift from classical realism to a more symbolic and spiritual language, blending Eastern mural and Thangka traditions with Western Impressionist sensibilities in color and line to evoke themes of life energy and maternal love.
Chen is one of the leading contemporary figurative realist artists in China. In recent years, his Blossoms of Life series marks a shift from classical realism to a more symbolic and spiritual language, blending Eastern mural and Thangka traditions with Western Impressionist sensibilities in color and line to evoke themes of life energy and maternal love.
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