Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.

Lee employs signature techniques such as “piercing” to break open the closed structure of traditional sculpture, creating a distinctive formal and conceptual language of emptiness. His works embody an “Eastern void” where self and object dissolve, offering not only profound aesthetic value but also a contemplative reflection on the human condition, imbued with contemporary social relevance.

Personal memories in the depth seem to emerge from the painted surface, enveloping viewers in the feeling of tranquility and the atmosphere of lyric, creating a resonance within their heart.

Chen is one of the leading contemporary figurative realist artists in China. In recent years, his Blossoms of Life series marks a shift from classical realism to a more symbolic and spiritual language, blending Eastern mural and Thangka traditions with Western Impressionist sensibilities in color and line to evoke themes of life energy and maternal love.