Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.

Lee employs signature techniques such as “piercing” to break open the closed structure of traditional sculpture, creating a distinctive formal and conceptual language of emptiness. His works embody an “Eastern void” where self and object dissolve, offering not only profound aesthetic value but also a contemplative reflection on the human condition, imbued with contemporary social relevance.

Through layered paint and spatial composition, she creates an interstitial “complex space” between abstraction and representation, unifying fragmented perceptions and memories into a coherent temporal and spatial field. Unlike Western landscape painting, which often emphasizes visual representation, her landscapes convey a distinct Eastern perceptual and emotional sensibility.

Hsu’s practice spans ink painting, oil painting, mixed media, and calligraphy. Rooted in brush-and-ink mastery, his work embraces experimental concepts to redefine the language of contemporary ink art. Positioned within the broader trajectory of ink’s modernization, Hsu has established a singular and rigorous creative path that secures his place in both contemporary art and art history.

Internationally renowned sculptor, one of the most iconic and famous Chinese sculptor of our time.