Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.

It creates the unique form, style, and concept of the “void,” and demonstrates “the concept of silent void in the Oriental culture” that embodies the state of unifying the object and the self. It not only displays aesthetic values but also reveals the artist's contemplation on the state of life at that moment, conveying contemporary social implications.

WANG is known for her large-scale abstract paintings, which demonstrate a unique artistry drawing on both the history of Chinese landscape painting and British landscape artists such as Turner. She infuses her personal emotions and thoughts into her work, and uses bold and spontaneous brushstrokes to create majestic and dynamic composition, exhibiting unrestrained colors on the canvas.

Hsu has broken through the existing boundaries of ink painting and is adept at using geometric patterns for the basic composition of his paintings. From old brush technique he developed a new way of expressing and thinking, with a minimalist but uninhibited and powerful visual sense expressing a domain of existence space that cannot be infringed on, implying endless life energy; with the precondition of freedom and liberation, he conveys his personal inner will, life horizon and his thoughts and reflections with regards the environment in which he exists.

國際著名雕塑家、中國雕塑界最具代表性的人物之一。