Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.

Different from the elegance embodied by traditional literati painters, his work displays a sense of individual carefreeness; in particular, the unique technique of "rolled wrinkle strokes" created by himself has formed a unique vocabulary of modern magical ink painting.His fantastical and illusory representation seems to transport viewers to a surreal, magical realm of contemporary landscape beyond what is seen by the naked eyes.

It creates the unique form, style, and concept of the “void,” and demonstrates “the concept of silent void in the Oriental culture” that embodies the state of unifying the object and the self. It not only displays aesthetic values but also reveals the artist's contemplation on the state of life at that moment, conveying contemporary social implications.

Personal memories in the depth seem to emerge from the painted surface, enveloping viewers in the feeling of tranquility and the atmosphere of lyric, creating a resonance within their heart.

Throughout his career as a photographer that has lasted almost three decades, Chou's subject matter has shifted from captivating journalistic events to creatively theatrical scenes, and his style has changed from documentary photography to fabricated photography. In his latest project, Animal Farm, Chou changed the role of photographer as a “hunter” and turned himself into a “director,” and amazed his audience with a bizarre and unsettling sense of existence in his characteristic way.

Lu’s work has revolved around his complex cultural contemplation on the living environment. Through his humanistic observation, the evolution of his inner world and different research angles, the artist has delineated a certain solid and unique cultural form stemming from the lower social stratum in Taiwan. His creative work is his way of actively engaging the society and realizing his humanitarian care for this land while expressing his interpretation of history and reflection on this era.

Hsu has broken through the existing boundaries of ink painting and is adept at using geometric patterns for the basic composition of his paintings. From old brush technique he developed a new way of expressing and thinking, with a minimalist but uninhibited and powerful visual sense expressing a domain of existence space that cannot be infringed on, implying endless life energy; with the precondition of freedom and liberation, he conveys his personal inner will, life horizon and his thoughts and reflections with regards the environment in which he exists.

Yang is one of the representative hyperrealist sculptors in the Chinese contemporary art scene. His works are all created out of complete wood blocks that are exquisitely carved by hand and elaborately colored for mimetic effect, rendering them extremely realistic and almost impossible to tell that they are wood sculptures.

WANG is known for her large-scale abstract paintings, which demonstrate a unique artistry drawing on both the history of Chinese landscape painting and British landscape artists such as Turner. She infuses her personal emotions and thoughts into her work, and uses bold and spontaneous brushstrokes to create majestic and dynamic composition, exhibiting unrestrained colors on the canvas.

Chang uses her individual linguistic system to embed a series of hints and clues in hand-written scrolls and manuscript fragments displayed in the cabinet, performing an invocation ritual through a pseudo-antique style and telling the history of people warring for the Aura stone.

From Manchester to Qingshui, Pulman embodies the 18th-century European tradition of the Grand Tour in the 21st century. As a contemporary flâneur, he navigates cross-cultural and sometimes detached relationships, moving through diverse places and times, keenly observing and capturing the rhythm of each landscape and the lives of its people.

TSAI completely avoids the typical urban landscapes and instead, his paintings hover on the fringes of what we consider the city. The designs of the scenes in his images are paired with an understated palette, ranging from dark gray, unsaturated yellow, green, and other heavy brownish colors.

Dong is more than just a trained metalsmith; he is a multi-disciplinary conceptual artist that incorporates science theories, cutting age technologies, and humanity into his work, with the aim to spark wonder and create transcending experiences.