Constancy and Impermanence Group Exhibition
12 Dec 2015-14 Feb 2016
Information

 Artist: LEE Kuang-Yu 、SHI Jin-Hua、 HSU Yu Jen、 Wei Jane CHIR

Overview


「常—四人聯展」將以雕塑、水墨、繪畫等媒材探究藝術家如何自日常生活截取創作素材,轉化成各具代表性的藝術語彙,從日常開啟探討並延伸至生命本質與終極價值的思辨。李光裕今年的大型新作「心子」刻畫母與子的情愛,也是藝術家回應物慾橫流的當代社會,唯有回到本質,一如最根本的親情,才能觸及直抵人心的高度美感與感動。許雨仁的「細筆水墨」、「粗筆水墨」以及「彩墨系列」以三種不同的表現形式,截取日常生活的花草植物、石頭大地為創作元素,從舊有筆法開創嶄新的表現與思維方式,或粗獷有力、抑或曖昧不明的筆觸,濃淡之間的交替,傳遞許雨仁個人對於環境與人生的多重思辨與反省。池農深的「孟都西娜系列」體現藝術家受到自然造化之美的啓迪,宛若照片顯影的水墨構成藝術家的心靈山水。走過人生半百,池農深體悟人生乃為時間流所刻畫出的生命層理,在變動中尋求到內心之所,則為從容之本。石晉華的「走筆系列」則傳達藝術家個人的宗教觀與生命思想。一如其創作自述所言:「生命,就像給你一枝鉛筆去寫去畫,而過程就是老、病、死。這筆終究是要磨滅的。」他以「筆」譬喻「人生」,所走過的路徑可能相似,卻也各自不同,但終點卻都一樣,又回到輪迴的原點。「常」,一切看似無常的變動,孕育於日常,萬物更迭,成住壞空,也誠為人生恆常的定律。

Artist

李光裕(1954-)

LEE Kuang-Yu

It creates the unique form, style, and concept of the “void,” and demonstrates “the concept of silent void in the Oriental culture” that embodies the state of unifying the object and the self. It not only displays aesthetic values but also reveals the artist's contemplation on the state of life at that moment, conveying contemporary social implications.
It creates the unique form, style, and concept of the “void,” and demonstrates “the concept of silent void in the Oriental culture” that embodies the state of unifying the object and the self. It not only displays aesthetic values but also reveals the artist's contemplation on the state of life at that moment, conveying contemporary social implications.

許雨仁 (1951-)

HSU Yu-Jen

Hsu has broken through the existing boundaries of ink painting and is adept at using geometric patterns for the basic composition of his paintings. From old brush technique he developed a new way of expressing and thinking, with a minimalist but uninhibited and powerful visual sense expressing a domain of existence space that cannot be infringed on, implying endless life energy; with the precondition of freedom and liberation, he conveys his personal inner will, life horizon and his thoughts and reflections with regards the environment in which he exists.
Hsu has broken through the existing boundaries of ink painting and is adept at using geometric patterns for the basic composition of his paintings. From old brush technique he developed a new way of expressing and thinking, with a minimalist but uninhibited and powerful visual sense expressing a domain of existence space that cannot be infringed on, implying endless life energy; with the precondition of freedom and liberation, he conveys his personal inner will, life horizon and his thoughts and reflections with regards the environment in which he exists.
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