CHEN is now a representative artist of Chinese contemporary figurative painting. Having being fascinated with things of a mysterious and dramatic nature since childhood, Chen has delved into the world of figurative painting and absorbed Eastern and Western historic elements, integrating various symbols drawn from traditional Chinese culture with contemporary scenes to create his Self-portrait Series and Series on the Republic of China.

From Manchester to Qingshui, Pulman embodies the 18th-century European tradition of the Grand Tour in the 21st century. As a contemporary flâneur, he navigates cross-cultural and sometimes detached relationships, moving through diverse places and times, keenly observing and capturing the rhythm of each landscape and the lives of its people.

創作理念來自宋代美學,以創新不離傳統為原則，保有傳統水墨深遂的根源，以當代的思維和現代媒材去闡釋水墨之境。擅長以錄像, 攝影、宣紙與油畫布作媒材，也嘗試當下最新的媒介如互動科技技術，用跨領域、跨媒介的水墨表現方式，以證明水墨有其自身的獨特本質產生其獨有的表現含義。