陸先銘 (1959-)

LU Hsien-Ming

Lu's artistic practice has been profoundly shaped by the socio-political transformations of Taiwan. Across decades, Lu's art has consistently centered on the human condition, whether through urban structures, symbolic objects, or natural imagery. His stylistic trajectory has progressed from fierce critique to a balance of reason and emotion, incorporating diverse techniques and cross-media experiments. Through his practice, Lu engages with the pulse of society, portraying the evolving cultural identity of Taiwan.

【采泥藝術│訪談中】陸先銘「老樹時期」系列

陸先銘《老樹時期》


不同於現代畫家們的樹,陸先銘在2018年所創作的樹全都出現在純白的背景中,彷彿若干當代藝術家觀看世界的方式:把無所不在的媒體圖像與它們的特定時空背景分開,視為本質上獨立於任何特定語境而存在的符號,可以被任意重組。因此陸先銘的樹不再只是城市中被寄託以情感的某樹或「那樹」之再現而已,而是與城市中的其他元素一樣化身為圖像符號,任由作者安排,譜出因時、因地、因人而異的城市之歌。


- 藝評家 國立臺灣藝術大學美術學院院長  陳貺怡

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