克里斯多夫.庫克 (1959-)

Christopher COOK

Two years spent in India changed Cook's approach to painting from one of western composition and notation (and colour) to a more haptic, intimate practice in which sand drawings made in Varanasi inspired his switch to monochrome graphite. These ‘graphites’ were quickly exhibited internationally and became part of major collections of several major art institutions. His works have also been awarded several major painting prizes, including one at the prestigious John Moores Liverpool.

SEEKER: Christopher COOK

For British artist Christopher Cook, the term Seeker describes both an attitude to life and a key aspect of his painting process. Throughout his career Cook has investigated novel, radical aspects of the natural and man-made environment, from the microscopic to the cosmic, and responded to philosophical notions and aesthetic principles, along with very human emotional truths.
Christopher COOK

Grey Matter

Christopher Cook’s recent practice has consisted solely of what he calls ‘graphites’: works on paper (and occasionally aluminium) using graphite powder dissolved in turpentine, oil and resin. His name for them evokes their uncertain status, especially in relation to painting on the one hand and drawing on the other. Why not call them ‘drawings’? Graphite on paper, after all, is drawing’s single most ubiquitous mode. Besides which, being made of graphite, these works are achromatic or monochromat
Alex Farquharson

Volatile Invention

Recent works by Christopher Cook, made with liquid graphite on paper, are both composed and disconcerting. They seem to derive closely from modern experiences and understandings, but it is not immediately easy to say how. They present specific, not generalised, landscape-type events, but look closely and you cannot be sure what the details actually explain or identify.
Ian Hunt

All that Glisters

Introductory text to Making a Masterpiece, Bouts and Beyond (1450-2020), York Art Gallery, Oct 2019 - Jan 2020
Jeanne Nuechterlein
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