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宋曉明(1967-)
SONG Sheau-Ming
Personal memories in the depth seem to emerge from the painted surface, enveloping viewers in the feeling of tranquility and the atmosphere of lyric, creating a resonance within their heart.
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Concrete Poetry from SONG Sheau-Ming Written by Christopher Cook
Sheauming Song consciously playing down his irreverent delight in subversive realist representation in favour of a closer relationship between what was previously the ‘underlying’ image and the surface illusion. The significant change is partly due to the minimalist genre Song examines, which has the effect of reducing the level of irony in favour of a subtler dialogue.
Christopher Cook (Professor of Painting, and Gallery Curator, University of Plymouth)
浪漫主義者的理性經驗對立──宋曉明
畫作裡宋曉明將時間與空間的過渡濃縮在方寸之間,片刻捕捉的瞬間除了回顧也是青春再現的起點,這應該也是促使藝術家不斷創作的動力。
文/王焜生
Sheauming Song: The Un-Realist
對宋曉明而言,揭開掩蓋之處,是反逆創作其畫作的方式。 當你除去宋曉明作品中掩蓋之處,便是解開了一個又一個的矛盾之局。 宋曉明是一名非寫實藝術家。 繪出非繪之作。
Text/Adrian George
潮間帶
,變化的來源已非外在的天候,心內的觸動直接地決定海的顏色。其實,大海的顏色及其洋流的方向,未曾產生明顯的改變,變的是自己的人生經歷與體悟。景色依舊但年華已逝,同樣佇足在七星潭岸邊的我,此時看見的是一幕幕過往的人生影像,還有一段段的苦澀酸甜…。
文/宋曉明
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Concrete Poetry from SONG Sheau-Ming Written by Christopher Cook
浪漫主義者的理性經驗對立──宋曉明
Sheauming Song: The Un-Realist
潮間帶