Ho Kan integrates Eastern calligraphy and the art of seal carving with a minimalist yet poetic visual language to develop his distinctive, Eastern lyrical abstraction. He starts with elemental points, and, from them, he creates his own philosophy about the arrangement of the image, validating the existence of each element.
霍剛與不悔的中國藝術夢
無聲的禪音:從文獻報導談霍剛的藝術學習
一線之際—結構意象與觀念象徵的空間