CV
個人學歷
| 2009 | 美國北加州公共藝術學院 |
| 2002 | 美國奧勒岡大學藝術碩士：主修金工與首飾 |
| 1996 | 台中東海大學美術系學士：主修複合媒體，副修西畫 |
精選個展
| 2021 | 《壇城｜董承濂個展》，采泥藝術，台北，台灣 |
| 《Divine Immersion身靈其境》，南加州大學亞太博物館，洛杉磯，美國 | |
| 2019 | 《光之景》，華美博物館，洛杉磯，美國 |
| 《復原士計劃》，Mercury 20 Gallery，奧克蘭市，美國 | |
| 2017 | 《天圓地方》，國家歌劇院，台中，台灣 |
| 《宇宙之舞─雲長》，雲門藝廊，台北，台灣 | |
| 《鏡中實相》，國立臺灣美術館，台中，台灣 | |
| 《Spiritual Fluid》，Mercury 20 Gallery，奧克蘭市，美國 | |
| 2016 | 《On Model of Contemplation》，Institute of Contemporary Art ，聖荷西市，美國 |
| 《Patterns from Heaven and Earth》，亞洲美術館，舊金山，美國 | |
| 2015 | 《青春無限》，亞洲大學現代美術館，台中，台灣 |
| 2014 | 《宇宙之舞》，真善美畫廊，台北，台灣 |
| 《Be-Longing-En-Lightening》，Mercury 20 Gallery，奧克蘭市，美國 | |
| 2013 | 《意出望外》，谷公館，台北，台灣 |
聯展
| 2021 | 《新星世：未來旅程》，新竹241藝術空間，新竹，臺灣 |
| 《GLOW》，舊金山探索館，舊金山，美國 | |
| 2019 | 《光影的對話：蔣勳 X 董承濂 X 賴純純 X 安聖惠》，池上穀倉藝術館，台東，臺灣 |
| 2018 | 《Uneasy Beauty》，Fuller Craft Museum，麻州，美國 |
| 《1983大肚山 之 金剛經》，亞洲大學現代美術館，台中，台灣 | |
| 2015 | 《Moved by Metal – On Beauty as Interaction》，The Center for Craft, Creativity & Design，阿什維爾，北卡羅來納，美國 |
| 《Disruption》，Grounds For Sculpture，漢彌爾頓，美國 | |
| 《California Now》，Richmond Art Center，舊金山，美國 | |
| 2014 | 《Art Silicon Valley / San Francisco》，矽谷畫廊博覽會，舊金山，美國 |
| 《I’m Your Man》，伊勢文化基金會，紐約，美國 | |
| 《Transformation of Connectivities》，Mercury 20 Gallery，加州奧克蘭市，美國 | |
| 2013 | 《Reflection – 100 years of Jewelry / Metal Arts at CCA》，Oliver Art Center，奧克蘭市，美國 |
| 2012 | 《40 Under 40: Craft Futures》， 史密森尼美國藝術博物館，華盛頓特區，美國 |
獲獎與收藏
| 2020 | 應邀於東卡羅來納大學金屬藝術研討會之主講人 |
| 2019 | 應邀於 Maine College of Art專題演講 |
| 2018 | 應邀於 Society of North American Goldsmith Conference 專題演講 |
| 2016 | 應邀於 Seattle Metal Arts Guild Symposium專題演講 |
| 2016 | 獲「Maker Faire Bay Area」五項評審特獎 |
| 2015 | 獲「Richmond Art Center – CALIFORNIA NOW」珐瑯藝術頭獎 |
| 2014 | 個展《Be-Longing-En-Lightening》藝評獲《East Bay Express》報導 |
| 2014 | Feature on KQED’s The California Report radio program |
| 2014 | 獲《7×7 Magazine》十二月份專題報導 |
| 2013 | 獲《商業周刊》七月份專題報導 |
| 2013 | 獲美國《Metalsmith Magazine》六月份專題介紹 |
| 2008 | 作品〈寓言飾物〉為挪威國立美術館典藏2003獲 2003年韓國清州國際工藝雙年展「Special Citation」獎 |
| 2004 | 作品獲選進入 Lard Books 出版社之《1000 RINGS – Inspiring Adornments for the Hand》 |
| 2004 | 《Confluence》展覽訊息刊登於美國舊金山日報 |
| 2003 | 於The Crucible 教授「10戒」時，接受美國CBS電視台《Evening Magazine》節目訪問 |
| 2003 | 獲 2003年韓國清州國際工藝雙年展「Special Citation」獎 |
| 2001 | 獲美國奧勒岡大學 「Graduate Teaching Fellowships」獎學金 |
| 1996 | 獲東海大學美術系畢業首獎 |
| 1994 | 獲東海大學美術系書法獎學金 |
| 1993 | 獲三采藝術新秀獎 |
經歷
| 2016- | 美國加州舊金山 Stevenson Street 街道美化公共藝術計畫 / 經理 |
| 2013- | StudioDONG / 創辦人暨創意總監 |
| 2011-2017 | 美國加州奧克蘭市政府 / 公共藝術案規劃審查建議委員會委員 |
| 2008-2014 | 美國加州奧克蘭市 California College of the Arts / 大四畢業製作指導教授 |
| 2006-2008 | 美國加州舊金山Samovar Tea Lounge / 設計總監 |
| 2005 | 台灣台北101董事長辦公室 / 藝術顧問及主題藝術家 |
| 2004-2010 | 台灣台北怡馬有限公司 / 設計部經理 – 家具設計及展覽規劃 |
| 2004 | 日本東京菊池美術館佈展者 / 藤本道能（1919-1992）為前日本天皇製作〈The Phantom Dinner Set〉 |
| 2003 | 美國加州奧克蘭市The Crucible教師 / 10戒：金工與首飾基本課程 |
| 2003-2004 | 美國加州舊金山Gallery FLUX / 首飾設計製作 |
| 2001-2002 | 美國奧勒岡大學美術系 / 講師–金工與首飾的介紹 |
| 美國奧勒岡大學美術系 / 助理講師–基礎設計 |
Curriculum Vitae
NICK DONG
| 2009 | Northern California Public Art Academy |
| 2002 | MFA: Metalsmithing and Jewelry. University of Oregon, Eugene, OR, US |
| 1996 | BFA: Mixed Medias and Paintings. Tunghai University, Taichung, Taiwan |
Solo Exhibition
| 2021 | Divine Immersion: The Experiential Art of Nick Dong, USC Pacific Asia Museum, LA, US |
| MANDALA｜by Nick DONG, Chini Gallery, Taipei, Taiwan | |
| 2019 | LightScapes: Re-envisioning the Shanshuihua, Chinese American Museum, Los Angeles, CA, US |
| Mendsmith Project, Mercury 20 Gallery, Oakland CA, US | |
| 2017 | Circular Heaven – Square Earth, National Taichung Theater, Taiwan |
| Longing Cloud, Cloud Gate Gallery, Taipei, Taiwan | |
| Specular Reflection, National Taiwan Museum of Fine Arts, Taichung, Taiwan | |
| Spiritual Fluid, Mercury 20 Gallery, Oakland, CA, US | |
| 2016 | On Model of Contemplation, San Jose Institute of Contemporary Art, CA, US |
| Patterns from Heaven & Earth – Artist Drawing Club, Asian Art Museum, San Francisco, CA, US | |
| 2015 | Forever Young, Asia University Museum of Modern Art, Taichung, Taiwan |
| 2014 | Cosmic Dance, Kalos Gallery, Taipei, Taiwan |
| Be-longing-En-lightening, Mercury 20 Gallery, Oakland, CA, US | |
| 2013 | Meaning Outside Meaning, Michael Ku Gallery, Taipei, Taiwan |
Group Exhibition
| 2021 | Novacene: A Ride to the Future, Hsinchu 241 Art Gallery, Hsinchu, Taiwan |
| GLOW,The Explotorium, San Francisco, US | |
| 2018 | Uneasy Beauty, Fuller Craft Museum, Brockton MA, US |
| 1983 Dadu Mountian – Diamond Sutra, Asia University Museum of Modern Art, Taichung, Taiwan | |
| 2015 | Moved by Metal – On Beauty as Interaction, The Center for Craft, Creativity & Design, Asheville, NC, US |
| Disruption, Grounds For Sculpture, Hamilton, NJ, US | |
| California Now, Richmond Art Center, Richmond, CA, US | |
| 2014 | Art Silicon Valley / San Francisco, San Mateo Event Center, San Mateo, CA, US |
| I’m Your Man, ISE Cultural Foundation, New York City, NY, US | |
| 2013 | Transformation of Connectivity: Conversation, Confluence, Collaboration, Mercury 20 Gallery, Oakland, CA, US |
| 2012 | 40 Under 40 – Craft Futures, Renwick Gallery of the Smithsonian American Art Museum, Washington, DC, US |
Awards/Publications/Scholarships
| 2016 | Keynote Speaker for 2016 The Seattle Metals Guild Symposium |
| Maker Faire Bay Area 2016, Five Editor’s Choice Awards | |
| 2015 | The Mend-Smith Project, “Space of Production” an AIR program in CCCD Asheville, NC |
| Awarded best in show in Enamel from CALIFORNIA NOW exhibition at Richmond Art Center | |
| 2014 | Solo Exhibition Be-Longing-En-Lightening featured on East Bay Express |
| Feature on KQED’s The California Report radio program | |
| Feature on 7×7 Magazine on December issue | |
| 2013 | Feature exhibition on Business Weekly of Taiwan July issue |
| Featured on Metalsmith Magazine 2013 June issue, article by Brett Levin | |
| 2008 | Fabled Adornment series collected by National Museum of Norway |
| 2004 | Selected from a juried competition by Lard Books 1000 RINGS and was referenced inside the covers |
| Solo Exhibition Confluence was presented on the DateBook of San Francisco Chronicle | |
| 2003 | Interviewed by CBS’s Evening Magazine about the 10 Rings class taught in The Crucible |
| Awarded Special Citation from Cheongju International Craft Biennial 2003 | |
| 2001 | Graduate Teaching Fellowship, Art department faculty nominated merit scholarship, University of Orego |
| 1996 | Class Valedictorian, Fine Art Department’s top graduating senior in Tunghai University |
| 1994 | Chinese Calligraphy Scholarship, Tunghai University |
| 1993 | San Cai Art Foundation Scholarship for Young Artist |
Professional Experience
| 2016- | Stevenson Street, San Francisco Artistic Improvement Project – Project Manger |
| 2013- | studioDONG – Founder / Chief Creative Officer |
| 2011-2017 | City of Oakland Cultural Affairs Commission, Public Art Advisory Committee (Co-Chair 2014-2017) |
| 2008-2014 | California College of the Arts, Oakland, CA, US – Instructor – Senior Project |
| 2006-2008 | Samovar Tea Lounge, San Francisco, US – Art Director |
| 2005 | Taipei 101 President Office, Taipei, Taiwan – Art Consultant / Feature Artist |
| 2004-2010 | Mart Tiller Corp, Taipei, Taiwan – Furniture Department Design Manager |
| 2004 | Musée Tomo, Tokyo, Japan – Exhibition Object Display Fabricator |
| 2003 | The Crucible, Oakland, CA, US – Instructor – 10 Rings in 10 weeks |
| 2003-2004 | Gallery FLUX, San Francisco, CA, US – Bench Jeweler |
| 2001-2002 | University of Oregon Department of Art, Eugene, Oregon – Instructor of Metalsmithing and Jewelry |