李光裕 荷意  73x31x66.5cm 銅  2014

 LEE Kuang-Yu Lotus 73x31x66.5cm Bronze 2014

展覽名稱:CIGE 2017 第十三屆中藝博國際畫廊博覽會
展出藝術家:霍剛 Ho Kan、李光裕 LEE Kuang-Yu
展覽時間:09.29 — 10.01
VIP預展:09.28 15:00-22:00
開放時間:09.29 — 10.01 10:00-19:00
展覽地點:北京農業展覽館11號展廳 (新館)
展位:A03

Topic:CIGE 2017 第十三屆中藝博國際畫廊博覽會
Artists:Ho Kan、LEE Kuang-Yu
period:09.29 — 10.01
VIP pre-exhibition:09.28 15:00-22:00
Time:09.29 — 10.01 10:00-19:00
Venue:北京農業展覽館11號展廳 (新館)
Booth:A03

[ 藝術家介紹 ]

About Artists

霍剛 HO Kan

1932年生,來自中國南京。曾遠赴義大利,長居米蘭50年,近年返台定居。。因緣際會受教於「台灣現代藝術導師」李仲生,以超現實主義畫風聞名,1957年,為著名「東方畫會」的成員之一。是1960年代達到高峰的「台灣現代藝術運動」代表人物之一。

1964年前往義大利米蘭,畫風蛻變為幾何抽象。幼年時期的書法與金石學的學習經驗,以及超現實畫風的創作基底,為抽象幾何表現提供了養份,讓畫作洋溢著漢文化的對稱結構趣味,以及詩一般的神秘色彩,允稱為東方幾何抽象的代表。

Ho Kan was born in Nanjing, China in 1932. He lived in Milan, Italy for fifty years, and now lives in Taiwan. He had studied under “the master of Taiwanese modern art,” Li Chun-shan, and had been known for his surrealist painting. He was one of the members of  “Ton Fan Art Group”. Ho’s painting of surrealism made him one of the representative figures in the Taiwanese modern art movement, which peaked in the 1960s.

In 1964, Ho went to study in Milan, and his style gradually shifted to geometric abstraction. Ho’s learning of calligraphy and seal carving at a younger age and his grasp of surrealist painting helped pave the way for his later painting of geometric abstraction, rendering him the master of Eastern geometric abstraction.

李光裕 LEE Kuang-Yu

1954年生於台灣,70年代中期在台灣完成學院雕塑訓練後,負笈西班牙聖費南度皇家藝術學院及國立馬德里大學美術學院研習西方雕塑技法與理論,師承著名雕塑家托雷多。其創作在雕塑語言的基底層面,以「鏤空」等標誌性技法打開雕塑的封閉結構,形成獨特的「空」的形式、風格與觀念,呈現出一種物我兩忘的「東方空境」,不僅具有美學價值,亦蘊含對當下生命狀態的思考,具有當代的社會意義。曾受邀於紐約、威尼斯、西班牙、奧地利、日本、新加坡等全球多地舉行展覽。2017年,李光裕受到聖馬利諾國家館的邀請,於威尼斯雙年展舉辦「有無之際-李光裕大型個展」。台灣三大美術館包括台北市立美術館、國立台灣美術館及高雄市立美術館典藏其多件作品。台大醫院捷運站、市民大道及高雄大學亦可見其多件大型公共藝術作品。

Lee Kuang-Yu was born in 1954 in Taiwan. Following graduation in Taiwan in 1975 , he went to Spain to study western sculptural technique and theory in Real Academia de Bellas Artes de San Fernando and Universidad Complutense de Madrid respectively and studied with celebrated sculptor Toledo. On the level of sculptural language, his work opens up the enclosed structure of sculpture with his characteristic techniques. It creates the unique form, style, and concept of the “void,” and demonstrates “the concept of silent void in the Oriental culture” that embodies the state of unifying the object and the self. It not only displays aesthetic values but also reveals the artist’s contemplation on the state of life at that moment, conveying contemporary social implications. His work has previously been exhibited in New York, Venice, Spain, Austria, Japan and Singapore. This year, Lee was invited by the National Pavilion of San Marino to hold the exhibition To Have and Have Not in 2017 Venice Biennale. His works can be seen in the public spaces or National Taiwan University Hospital MRT station, on Civic Boulevard, and at National University of Kaohsiung. Within Taiwan, three major galleries have collected many of his works.