2014臺中藝術博覽會ART TAICHUNG

2014.07.12 – 2014.07.15

地點 Venue:台中日月千禧酒店16-18樓(台中市西屯區市政路77號)

開放時間 Open:12:00~19:00 (7/15 僅開放至18:00)

[ 藝術家介紹 ]

About Artists

李光裕  LEE, Kuang-Yu (1954-)

1954 年生於高雄內惟。以東方思惟結合西方技法 著名的雕塑家,曾於紐約、威尼斯、西班牙、奧 地利、日本、新加坡等地舉行展覽。1980 年代畢 業於西班牙聖費南度皇家藝術學院及國立馬德里 大學美術學院碩士班,回國後任教台灣藝術大學、 台北藝術大學教授雕塑專科 20 餘年,是將西方雕 塑觀念與技法引進台灣雕塑界的代表人物。

2006 年離開教職後,李光裕深居於汐止山上的工作園區,地偏心遠,促成其後作品的重要蛻變, 一改渾重厚實之美,而以虛實交錯的結構,靈變地塑寫種種意在物外的世間情態。藉由心境、山 境與作品意境之間的層層映照與對話,他創造出 立基於西方雕塑技法,卻充滿東方人文意涵的作品風格,為「東西融合」此一概念的成熟體現。

Born in Neiwei, Kaohsiung in 1954, Lee Kuang-Yu is a renowned sculptor who integrates Eastern philosophy and Western techniques. He has held solo exhibitions in New York, Venice, Spain, Austria, Japan, Singapore, etc. Lee graduated from Real Academia de Bellas Artes de San Fernando, Spain, and obtained his MFA from Universidad Complutense de Madrid, Spain in the 1980s. After returning to Taiwan, he taught sculpture at Taipei National University of the Arts and National Taiwan University of Arts for over twenty years. He is deemed a representative sculptor that has imported Western sculptural concepts and techniques to Taiwan.

After retiring from teaching, Lee has been living and working in the mountains in Xizhi, and the seclusion of living in the remote area promoted the important transformation of his work. The artist used to depict weighty and substantial beauty; now, he portrays worldly existences and their implications in a subtle way and with sculpture interwoven with physical structure and blankness. Through the contrast and dialogue among the state of mind, the mountainous landscape, and the artistic conception of his work, he has created a unique style that integrates Western sculptural skills and Eastern humanistic meanings, fully embodying the perfect unison of the East and the West.

謝貽娟 Jo HSIEH (1962-2017)

1967 年生於台灣嘉義,目前定居於英國倫敦。1990 年代負笈倫敦,陸續完成英國皇家藝術學院 (Royal College of Art U.K)碩士學位與費爾茅斯藝 術學院(Falmouth college of Art)藝術哲學博士學位。精湛的創作力,曾吸引馳名國際藝壇的 Michael Goedhuis 畫廊為其經紀代理,引薦至紐約、邁阿密、倫敦等地參加博覽會、舉辦展覽,獲得許多歐 美藝廊與藏家青睞,收藏其作品;亦榮獲 2002 年 英國 Art Review 雜誌藝術獎首獎肯定,甚至驚豔英國皇室,被封為「Royal College of Art LADY」。

擅長油彩、粉彩、壓克力顏料、照相腐蝕、礦石 粉末等媒材創作,尤以「藍色礦石粉末」的極簡 抽象藝術最具個人創作代表性。長期探索古今中外哲學理論,以複合媒材的多元表現將自身對哲理的體悟,轉化為畫作中充滿靈性與哲思的藍色,世間最終的無極狀態是她恆常思索,再三致意的創作母題。

Jo Hsieh was born in Chiayi, Taiwan in 1967, and currently lives in London, UK. She studied in London in the 1990s, and obtained her MA from Royal College of Art, UK, and her PhD from Falmouth College of Art, UK. Her outstanding creativity made Hsieh an artist represented by the internationally renowned Michael Goedhuis Gallery that presented her in various art fairs in New York, Miami, and London, and held solo exhibitions for her. Hsieh’s work is popular among many collectors and galleries in the US and Europe. In 2002, she won the First Prize in the Art Review Arts Award in the UK. Her achievement even dazzled the royal family and won her the title of “Royal College of Art LADY.”

Specializing in making art with oil color, pastel, acrylic paint, photoetching, and pigment, Hsieh is especially known for her minimalistic, abstract painting of blue pigment, which has been prized as her masterpiece. Having long studied Eastern and Western metaphysics, the artist transforms her understanding of philosophical ideas and concepts into soulful and profound shades of blue with diversified expression in mixed media. The infinite state at the end of the world’s existence is her enduring theme and motif, which she has never stop exploring.

蔡士弘 TSAI, Shih-Hung (1979-)

1979 年生於台灣,畢業於台北藝術大學研究所,十餘年創作生涯中獲獎無數,亦曾兩度 獲選代表國家赴洛杉磯與香港駐村創作。

藝評曾形容其畫作猶如「帶著哲思的詩,誨暗卻富深意」,他關切著當代生活中種種的 廢棄與虛無;擅長以旁觀者的姿態,以諷刺的方式來形塑被遺棄的邊緣感,也探索著真 假的界線。在幽默的作品表象下常帶有嚴肅的社會觀察,矛盾的對立性是其創作中的迷 人之處。

Tsai Shih-Hung was born in Taiwan in 1979. He holds an MFA from Taipei National University of the Arts, and has won various prizes and awards throughout his decade-long career. He has been twice selected to represent Taiwan for residencies in Los Angeles and Hong Kong.

An art critic once described his painting as “philosophical poetry, dark yet profound.” Paying attention to different outcast and empty existences in contemporary life, Tsai excels in delineating the sense of marginality of things abandoned and exploring the boundary between the real and the unreal. Beneath the humorous images of his work, he often delivers serious social observations. The conflicting opposition in his work is what makes it so captivating.

[ 作品介紹 ]

About Artworks

李光裕 一線天   22x23x79cm 銅  2013

LEE Kuang-Yu  Skein of Heaven  22x23x79cm Bronze  2013

李光裕  飛來  55x22x80cm 銅  2013

LEE Kuang-Yu  Flying  55x22x80cm Bronze  2013

蔡士弘 失神記  直徑80cm 壓克力顏料、炭、畫布  2013

TSAI, Shih-Hung   The moment  Ф80cm(32F)    Acrylic paint 、Charcoal Stick on Canvas  2013

蔡士弘 美人魚  60.5x91cm 壓克力顏料  2014

TSAI, Shih-Hung  Mermaids  60.5x91cm Acrylic paint on Canvas  2014

[ 展位照 ]

Installation View