謝貽娟 Jo Hsieh None-Space P47 234x168cm   2013  礦石粉末、壓克力樹脂、畫布

 

在意念與感官之間

在形的流動與轉化之際

融合英國皇家藝術學院的焠鍊

與東方文化、哲學底藴的陶冶

「觀止無形」— 一場關乎抽象藝術本質的探究、詰問與開創

Between thoughts and perception as well as fluid and transforming forms,

the refinement of the Royal College of Art in London and the essence of Oriental culture and philosophy are integrated.

Formless Perfection—an exhibition that expands the exploration, investigation and horizon of the abstract art.

 

觀止無形—洪藝真、謝貽娟、王淑鈴聯展
2017.01.01-2017.02.26
藝術家:洪藝真、謝貽娟、王淑鈴
展覽地點:采泥藝術(台北市大直敬業一路128巷48號1樓)

Topic: Formless Perfection: Yi-Chen HUNG, Jo HSIEH, Suling WANG-Three Artists from the Royal College of Art
Artists: Yi-Chen HUNG, Jo HSIEH, Suling WANG
Date: 2017.01.01-02.26
Venue: Chini Gallery (1F, No.48,Ln.128, Jingye 1st Rd., Zhongshan Dist., Taipei City)

[ 展覽介紹 ]

About the Exhibition

自從抽象藝術於20世紀的誕生,將繪畫本身自客觀寫實的功能性獨立出來,從此確立繪畫的自律性,也肯認藝術元素「線」、「形」、「色」本身的表現性,不單只是作為再現現實世界的要素。自此,抽象藝術如何跳脫具體的形象,單純以形與色的組合型塑獨樹一格的表現形式,以純粹造型建構關於藝術家自身的宇宙,則成為前仆後繼的抽象藝術家致力研究的課題。

采泥藝術2017年的新年開春大展「觀止無形」將展出三位台灣知名抽象藝術家洪藝真、謝貽娟、王淑鈴的作品,透過其各擅其長的藝術語彙探究抽象語境的可能性。三位藝術家皆先後於英國皇家藝術學院(RCA)深造,奠定其各自的創作理路與發展範疇。

洪藝真的創作受到美國「抽象主義」與「極簡主義」的影響,著重材料與形式的單純性,將作品簡化到「顏料、畫框、畫布」三種元素,並透過物件複製與肌理再現,以低限美學的趣味進行個人關於繪畫性與創作本質的哲學思辨與辯證。

謝貽娟長期旅居英國,以其特有的「非空間 non space」創作脈絡,發展個人超越具象、獨樹一格的創作形態,「藍色礦石粉末系列」以一片湛藍的有無相間探究生命之間的純粹意理。

王淑鈴的抽象作品體現個人沛然無盡的思緒與意念。畫布上的顏料與圖面構成,以大膽且揮灑的筆法,氣勢恢宏與磅礡的構圖,型塑極具個人特色的抽象語法,在一種形的流動與轉化之際,體現藝術家深受東方民間典故、佛家道家哲學內涵影響的文化底藴與特質。

「觀止無形」一展將可見三位台灣傑出女性抽象藝術家,如何在汲取皇家藝術學院的學理養分,結合各自的生命經驗與東方文化涵養,進而發展出獨具個人風格的抽象表現,構成藝術家自身所欲傳達的意念性與感官性,體現個人畫意與畫境,進而發展抽象藝術更為深入的探索、詰問與開創。

Since the birth of abstract art in the 20th century, painting has exceeded its function of creating objective, realistic representation. Abstract art assures the autonomy of painting and recognizes the expression of “line,” “form,” and “color” instead of treating them as elements to represent the realistic world. Moreover, abstract artists have also endeavored to free abstract art from concrete images by employing combinations of simple forms and colors to create unique artistic expression and construct individual cosmos of art with pure forms.

On view in Formless Perfection are the artworks by three acclaimed abstract artists, Jo HSIEH, Yi-Chen HUNG, and Suling WANG, who have been exploring the possibility of abstract painting through their distinctive artistic vocabulary. The three artists all graduated from the Royal College of Art (RCA) in the UK, where they established their creative direction and field of artistic development.

Yi-Chen HUNG’s art emphasizes on the pureness of material and form by simplifying her work to “paint, frame, and canvas,” and through reproducing objects and representing different texture, conducts her philosophical and dialectic thinking on painting and its inherent characteristics with the charm of minimalistic aesthetics.

Based in the UK, Jo HSIEH is known for her unique artistic conception of “None-Space,” with which she has created artworks that transcend concrete representation with distinctive characteristics. In between the azure shades, the void is full and the fullness embodies the void—it is an investigation “purity” and “life.”

Suling WANG’s abstract art embodies her unlimited ideas and creative thoughts. With flowing and changing forms, the paint and image on the canvas as well as her bold, freewheeling brushstrokes and majestic, dynamic composition materialize her artistic concept and cultural depth informed by fluid forms of Chinese calligraphic art, traditional folk allusions, and the Buddhist philosophy.

Formless Perfection brings to the audience three outstanding Taiwanese female abstract artists. They have absorbed the academic nourishment of the RCA, and integrated their individual training with their personal life experience and understanding of the Oriental culture to develop highly characteristic styles of abstract expression. Their work conveys their thinking and sensibility, embodies their artistic ideal and conception, and expands the exploration, investigation and horizon of the abstract art.

[ 作品介紹 ]

About the Artwork

洪藝真 紅層 150x120cm 2007 複合媒材

Yi-Chen HUNG The Layer of Red 150x120cm 2007 Acrylic on FRP

謝貽娟 None-Space P04  91x91cm  2002  礦石粉末、壓克力樹脂、畫布

Jo Hsieh None-Space P04  91x91cm  2002  Pigments and polyacrylate  on canvas

謝貽娟 None-Space S16  254x77x3.5cm 2013 複合媒材、畫布

Jo Hsieh None-Space S16  254x77x3.5cm 2013 Mixed media on canvas

王淑鈴 立春 72x53cm 2015-2016 膠、油彩、綜合媒材、畫布

Suling WANG Beginning of Spring 72x53cm 2015-2016 Acrylic, oil on canvas, mixed media

王淑鈴 春之頌 152x127cm 2013 膠、油彩、畫布

 Suling WANG Song of Spring 152x127cm 2013 Acrylic, oil on canvas

 

【展場圖】

Installation view