空山-李光裕 & 許雨仁雙個展

2015.07.12 ~ 2015.08.31

地點Venue:台中雙橡園三A建築會所

藝術家Artists:李光裕  LEE, Kuang-Yu (1954-)  許雨仁 HSU,Yu-Jen (1951-)

為進一步與大台中地區喜愛當代藝術的朋友深度交流,采泥藝術自7月12日起,於台中「雙橡園三A建築會所」舉辦「空山-李光裕 & 許雨仁雙個展」。本次邀請李光裕和許雨仁聯手展出,特別策劃與長期耕耘台中七期地區的「雙橡園開發」合作,在「三A建築會所」這一亟具藝文氣息的精緻空間隆重登場。現場展出內容特選李光裕雕塑作品19件、許雨仁水墨畫作7件,完整呈現兩位藝術家不斷突破,將自身種種生命哲思化為傑出藝術形式的創作歷程,領人一覽東方藝術特有的空性寫意美學。

李光裕70年代中期在台灣完成學院雕塑訓練後,負笈西班牙聖費南度皇家藝術學院,及國立馬德里大學美術學院研習西方雕塑技法與理論,師承著名雕塑家托雷多,創作不輟。數十載藝術創作積累之中,他以融合現代與傳統、具象中帶有抽象的結構方式,形塑出極富個人特色的雕塑美學風格,並曾於西班牙、奧地利、日本、新加坡等地舉行展覽;台北市立美術館、國立台灣美術館及高雄市立美術館收藏其多件作品。同時,李光裕的作品深具寓意與藝術高度,卻不顯冰冷孤高,反能融入普羅大眾的生活層面,在台大醫院捷運站、台北的市民大道及高雄大學都可見到其多件大型公共藝術作品。

許雨仁則在將近三十年的創作生涯中,屢屢打破水墨畫既有框架,從舊有筆法中開創嶄新表現手法,用極簡卻粗獷有力的筆觸、線條自畫作裡釋放源源不絕的生命能量,描繪出藝術家自由與解放的絕對生存場域,更精準傳遞出個人內在意志與生命視野。其作品曾多次於香港、科隆、上海、北京等地展出。美國、香港、台灣等多所美術館皆收藏其作品。

藝術家介紹 About Artists

李光裕  LEE, Kuang-Yu (1954-)

1954 年生於高雄內惟。以東方思惟結合西方技法 著名的雕塑家,曾於紐約、威尼斯、西班牙、奧 地利、日本、新加坡等地舉行展覽。1980 年代畢 業於西班牙聖費南度皇家藝術學院及國立馬德里 大學美術學院碩士班,回國後任教台灣藝術大學、 台北藝術大學教授雕塑專科 20 餘年,是將西方雕 塑觀念與技法引進台灣雕塑界的代表人物。

2006 年離開教職後,李光裕深居於汐止山上的工作園區,地偏心遠,促成其後作品的重要蛻變, 一改渾重厚實之美,而以虛實交錯的結構,靈變地塑寫種種意在物外的世間情態。藉由心境、山 境與作品意境之間的層層映照與對話,他創造出 立基於西方雕塑技法,卻充滿東方人文意涵的作品風格,為「東西融合」此一概念的成熟體現。

Born in Neiwei, Kaohsiung in 1954, Lee Kuang-Yu is a renowned sculptor who integrates Eastern philosophy and Western techniques. He has held solo exhibitions in New York, Venice, Spain, Austria, Japan, Singapore, etc. Lee graduated from Real Academia de Bellas Artes de San Fernando, Spain, and obtained his MFA from Universidad Complutense de Madrid, Spain in the 1980s. After returning to Taiwan, he taught sculpture at Taipei National University of the Arts and National Taiwan University of Arts for over twenty years. He is deemed a representative sculptor that has imported Western sculptural concepts and techniques to Taiwan.

After retiring from teaching, Lee has been living and working in the mountains in Xizhi, and the seclusion of living in the remote area promoted the important transformation of his work. The artist used to depict weighty and substantial beauty; now, he portrays worldly existences and their implications in a subtle way and with sculpture interwoven with physical structure and blankness. Through the contrast and dialogue among the state of mind, the mountainous landscape, and the artistic conception of his work, he has created a unique style that integrates Western sculptural skills and Eastern humanistic meanings, fully embodying the perfect unison of the East and the West.

許雨仁 HSU,Yu-Jen (1951-)

1951 年生於台灣台南佳里,現定居於台北三芝。 台灣現代文人畫的代表人物。畢業於國立台灣藝 術專科學校,曾隨有「台灣現代藝術導師」美譽 的李仲生習畫,1995 年後發展出風格獨具的細筆、 粗筆水墨,曾多次於科隆、香港、北京、上海、 臺北等地展出作品;美國、香港、台灣等多所美 術館皆收藏其作品。

創作以水墨畫始,而能以鮮明的個人風格開創出 嶄新的況味,鍾情自然,但不耽美於傳統中對自然環境的唯美描繪。不論筆觸繁複濃重的油畫, 抑或清簡雋永的水墨,皆傳遞出個體生命失去自 然之滋養,在工業社會下寂然獨存的頑強與枯渴, 畫作充滿強烈的現代性、文學性。

Born in Jiali, Tainan in 1951, Hsu Yu-Jen now lives in Sanzi, Taipei. He is a representative painter of modern ink painting in Taiwan. In addition to receiving an academic training at National Taiwan Academy of Arts, Hsu also studied under Lee Chun-Shan, “the master of Taiwanese modern art.” Since 1995, he has developed a unique style of thin brush and thick brush ink painting. His work has been shown in Cologne, Hong Kong, Beijing, Shanghai, and Taipei, and has been collected by various museums in the US, Hong Kong, and Taiwan.

Hsu’s ink painting possesses a vividly individualistic style that is fresh and innovative. He prefers to paint nature without only focusing on aesthetic portrayal of natural environment as in traditional ink painting. Whether it is his oil painting with dense and intricate brushstrokes or his simple yet everlasting ink painting, Hsu’s art conveys individual life’s perseverance and predicament in its lonely existence in an industrialized society that denies the nurturance of nature, which renders his painting intensely modern and literary.

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