意識邊緣—盧征遠個展

The Fringe of Consciousness- The Solo Exhibition of LU Zheng-Yuan

2016.11.05-2016.12.25

開幕Opening: 2016.11.13  19:30

展覽地點Venue:采泥藝術Chini Gallery(台北市大直敬業一路128巷48號1樓)

[ 展覽介紹 ]

About the Exhibition

「意識邊緣」作為盧征遠創作思維與邏輯系統的呈現,他關注日常生活中不被重視的邊緣地帶,或是不容易被界定的事物,並透過當代藝術的手段轉化,型塑穿梭於藝術與日常生活的創作語境;亦或是將人們習以為常的日常經驗轉變成陌生化的體驗,探求日常事物表現的多重性。

本展所展出的「慢性」系列作品,盧征遠以厚重的黑色大理石來詮釋塑膠袋的輕薄質感,在視感與觸感的交錯間體現舉重若輕的矛盾與趣味。「過去的即將帶來」與「一切還在」系列,則以白色大理石轉化棉被、枕頭的視覺量感,人們習以為常的棉質寢具轉化成冰冷堅硬的大理石質地,除了挑戰觀者習以為常的日常性,也開拓材質語彙的表現性。「無題」系列則是藝術家對於「顏料」物質性的思考體現。盧征遠讓顏料除了作為材料本身,亦作為藝術家自我表達的媒介,藉此探究顏料存在性的更多可能。本展「意識邊緣」,是盧征遠試圖以當代藝術穿越無以名狀的邊緣地帶,並以此作為一種開創,開拓日常慣習的思維模式。當今藝術不僅純然追求取悅視覺的美,亦是在轉化與再造之際,在熟悉與陌生之際,一種關乎日常感知與思考維度的全新開展與體現。

The Fringe of Consciousness is the display of Lu’s artistic thinking and logic system. He either pays attention to the undervalued marginal zone in the quotidian life or things that are hard to define, and converts them through means of contemporary art, creating a unique artistic context that connects art and the daily life. Or, he de-familiarizes the everyday experiences people are familiar with to explore the multiplicity in representing things and events of the daily life.

Several series are on view in the exhibition. In Chronic Series, Lu uses heavy black marble to interpret the flimsy texture of plastic bags, revealing an intriguing sense of contradiction between lightness and weight through an interplay of the visual sense and tactile sense. In The Bygones Are Returning and Still There, Lu chooses white marble to transform the visual volume of quilts and pillows. The cotton bedding people used to know is now transformed with the texture of cold, solid marble, which challenges the viewer’s everyday familiarity while expanding the artistic expressiveness of the material. The series of Untitled embodies the artist’s contemplation on the materiality of “paint.” In addition to being a material, Lu allows paint to become a medium for his self-expression, exploring its multiple possibilities. The Fringe of Consciousness unveils Lu’s endeavor to traverse the nameless marginal zone by using contemporary art. It is also an innovative attempt to explore and expand the mode of thinking that people are accustomed to. The art today is not a simple pursuit of visual beauty that pleases the eye, but the transformation and remaking of the familiar and the unfamiliar; a brand new development and realization of the daily perception and the dimension of thinking.

[ 展場照 ]

Installation View